Gutenberg’s printing press not only meant that the spread of information was modified for all time but so was the presentation of that information. Even in the times of the manual printing press, there were numerous options of fonts and a selection of typefaces to choose between. Different fonts had different feelings to them, visually influenced the message that readers read. And that wasn’t simply an issue of readability, though that was important too.
Fonts could grab attention ; insert personality into a leaflet or paper. Of course, due to readability these fonts were often utilized for display only and stayed within the limits of press releases and paper titles. If the whole body text of the New York Times were in the font utilised for the paper’s title, it would be practically meaningless. But that large, bold, intricate free font captures your attention doesn’t? That font itself is the Times brand.
Just like the font employed in the title of the movie Transformers is also a part of the emblem. A font, which incidentally, you’ll be able to find here on Sendfont. But all fonts begin someplace, have similar roots. Most fonts nowadays are simply adaptations of others and on occasions are very different to tell apart unless you’re looking for it. And even then I still can’t tell the difference between Times and Times New Roman, or Myraid Pro and Ariel. So lets check it out where all the free fonts available here pretty much come from. Since the printing press, there have been two basic categories : roman and blackletter. Roman fonts are older ones, used by the Romans themselves. They didn’t invent the letters but the Greeks did that, but they did fool around with the characters.
These sort of fonts are sharp and clear, where it’s easy to distinguish one letter from another. Most body fonts, those people are most familiar with, are of this variety However , as times progressed lettering became more hasty, compressed, and angled and the Middle Ages rolled in. For this, you can blame priests, because they really were the sole ones who knew how to read and right. It was a style that took longer to write, but more complicated and so excellent to eat up time for those with little to do around monasteries. So you can thank blackletter writers for almost all of the gorgeous display fonts. Leaving the priests to do the pretty calligraphy, those not ordained continued to use roman fonts when writing, though the characters became more fluid, curvy, and barely slanted to decrease the time required to write a document. It’s this roman style that led straight to italics. And therefore when Gutenburg’s press needed fonts to print in they took styles of the roman and blackletter type. And as time went on variations of these font styles ripened, making the plenitude of options we have here in the digital age. But grandmama and gramps are not dead yet. They’ve basically managed to stay alongside of the times rather well.